Miriam Stoney
Miriam Stoney

Current & Upcoming:

Kardinal König Kunstpreis 2025
Group exhibition
St. Virgil Salzburg, AT
27th November 2025 – 15th March 2026

DEBT
Launch of catalogue reader with texts and essays by Mirela Baciak, Hana Ostan-Ožbolt-Haas, Benjamin Hirte, Miriam Stoney, Frank Wasser, and Alenka Zupančič
Salzburger Kunstverein
19.00 on 12th December 2025

Recent texts:

"Riddings Leisure Centre, 2008" for In the Margins, 25th November 2025: here

"Fitzcarraldo’s Poetry List" for Berlin Review, no. 16, January 2026: here

"Research" (London, Paris, Vienna) for ALL FLASH AND FICTION curated by Kristina Deska Nikolić at discotec, Vienna, 2025. Photo: Tina Kult

Ideal Translation (Marguerite Duras, La Vie matérielle) with Brunette Coleman at Tenderbooks, London, 2025. Photo: Julian Blum

Ideal Translations with Brunette Coleman at Tenderbooks, London, 2025. Photo: Julian Blum

All That Was Missing with Stefan Grimus for Burn the Diaries, Read Them Out Loud, Kunsthalle Wien, 2025. Photo: Paola Lesslhumer

Installation view, Missing, in: Burn The Diaries, Read Them Out Loud, 2025, Kunsthalle Wien. Photo: Iris Ranzinger

So Many Ununits of Gravitas (Work series), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

So Many Ununits of Gravitas (Step-Motherly Love), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

So Many Ununits of Gravitas (Little Red), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

Eckdaten, 2024. Brunette Coleman. Photo: Jack Elliot Edwards

p. 109, “One day you’ll be blind, like me. You’ll be sitting there, a speck in the void, in the dark, for ever, like me.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 17, “[...] and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 48, “It took him about a week, tools one day, wood the next; but the wood was a problem because you can’t put it in your pocket or under your coat;” 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Deconstitution (Work series), 2023. Not Either Or, But And, VCT STATEMENT at das weisse haus. Photo: kunst-dokumentation.com

Just to let you know with Robert Schwarz, 2023. Klosterruine Berlin. Photo: PNiedermayer

Just to let you know with Robert Schwarz, 2023. Klosterruine Berlin. Photo: PNiedermayer

Common Notions, with Katharina Schilling, 2022. Exhibition view, house of spouse. Photo: Flavio Palasciano

Between Dwelling, 2022. Common Notions, with Katharina Schilling. house of spouse. Photo: Flavio Palasciano

First Refusal, 2022. „nominiert ...“ Vordemberge-Gildewart Stipendium 2022. Photo: Klaus Pichler, © mumok

Where Does the Misery Come From? (Playing English or "Hand-In-Hand-Out"), 2022. Befindlichkeiten, Austrian Cultural Forum Berlin. Photo: Max Eulitz

Titles Variable, 2021. Autohaus St. Marx, Neuer Kunstverein Wien. Photo: kunst-documentation.com

Real objects, sensual qualities, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

Better Biographies (Chests); Homage to Winifred Knights, The Deluge, 1920, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

I ceased from Mental Fight, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti