Miriam Stoney
Miriam Stoney

Current & Upcoming:

not dying
Group exhibition 
Haus Rüschhaus – Burg Hülshoff – Center for Literature, Münster, DE
5th April – 31st October 2025

Burn the Diaries, Read Them Out Loud
Group exhibition curated by Gina Merz
Kunsthalle Wien, Karlsplatz, Vienna, AT
6th June – 19th October, 2025
Reading: Thursday 16th October, 18.00

Unter dem Gewicht atmest du anders. Schuld und Haben
Opening and performance of Der Waagenrat 
Gesellschaft für aktuelle Kunst, Bremen, DE
6th June – 7th September, 2025

ANDREJ ŠKUFCA, KATRIN EULLER AND MIRIAM STONEY: INTRUDERS, UNINVITED INTO CHAOS
Exhibitions curated by Laura Amann Marín
Monfort Gallery, Portorož & Loža Gallery, Koper, SI
13th June – 24th August 2025

So Many Ununits of Gravitas (Work series), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

So Many Ununits of Gravitas (Step-Motherly Love), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

So Many Ununits of Gravitas (Little Red), 2025. Unter dem Gewicht atmest du anders. Schuld und Haben, GAK Bremen. Foto: Franziska von den Driesch

A Reparative Reading, in Das Cathrin Pichler Archiv von RPU-Artaud-001 bis DAV-Plakate-029, Installation view, Exhibit Gallery, Academy of Fine Arts Vienna, 2024, Photo: Peter Mochi.

Solo presentation with house of spouse, Vienna for Art-o-Rama, Marseille, 2024. Photo: Margot Montigny.

(Left) En ce qui concerne la reproduction, (right) En ce qui concerne la production, both 2024. Photo: Margot Montigny.

Eckdaten, 2024. Brunette Coleman. Photo: Jack Elliot Edwards

p. 109, “One day you’ll be blind, like me. You’ll be sitting there, a speck in the void, in the dark, for ever, like me.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 17, “[...] and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 48, “It took him about a week, tools one day, wood the next; but the wood was a problem because you can’t put it in your pocket or under your coat;” 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Deconstitution (Work series), 2023. Not Either Or, But And, VCT STATEMENT at das weisse haus. Photo: kunst-dokumentation.com

Just to let you know with Robert Schwarz, 2023. Klosterruine Berlin. Photo: PNiedermayer

Just to let you know with Robert Schwarz, 2023. Klosterruine Berlin. Photo: PNiedermayer

Common Notions, with Katharina Schilling, 2022. Exhibition view, house of spouse. Photo: Flavio Palasciano

Between Dwelling, 2022. Common Notions, with Katharina Schilling. house of spouse. Photo: Flavio Palasciano

First Refusal, 2022. „nominiert ...“ Vordemberge-Gildewart Stipendium 2022. Photo: Klaus Pichler, © mumok

Where Does the Misery Come From? (Playing English or "Hand-In-Hand-Out"), 2022. Befindlichkeiten, Austrian Cultural Forum Berlin. Photo: Max Eulitz

Titles Variable, 2021. Autohaus St. Marx, Neuer Kunstverein Wien. Photo: kunst-documentation.com

Real objects, sensual qualities, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

Better Biographies (Chests); Homage to Winifred Knights, The Deluge, 1920, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

I ceased from Mental Fight, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti