Miriam Stoney

Current:

Das Cathrin Pichler Archiv von RPU-Artaud-001 bis DAV-Plakate-029
Group exhibition & artistic contribution to publication (Mark Pezinger Books, 2024)
Exhibit Gallery, Akademie der bildenden Künste Wien, Schillerplatz, Vienna, AT
8th November, 2024 – 2nd February, 2025
Opening and book presentation: 18.00, 7th November, 2024

Jahresgaben 2024
Kunstverein in Hamburg, DE
29th November, 2024 – 9th February, 2025

Debt. Jahresausstellung 2024/25
Group exhibition curated by Hana Ostan-Ožbolt-Haas
Salzburger Kunstverein, AT
14th December, 2024 – 16th February, 2025
Opening and reading: Friday 13th December 2024, 20:00

A Reparative Reading, in Das Cathrin Pichler Archiv von RPU-Artaud-001 bis DAV-Plakate-029, Installation view, Exhibit Gallery, Academy of Fine Arts Vienna, 2024, Photo: Peter Mochi.

Solo presentation with house of spouse, Vienna for Art-o-Rama, Marseille, 2024. Photo: Margot Montigny.

(Left) En ce qui concerne la reproduction, (right) En ce qui concerne la production, both 2024. Photo: Margot Montigny.

Eckdaten, 2024. Brunette Coleman. Photo: Jack Elliot Edwards

p. 109, “One day you’ll be blind, like me. You’ll be sitting there, a speck in the void, in the dark, for ever, like me.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 17, “[...] and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been.”, 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

p. 48, “It took him about a week, tools one day, wood the next; but the wood was a problem because you can’t put it in your pocket or under your coat;” 2024. Eckdaten, Brunette Coleman. Photo: Jack Elliot Edwards.

Like a Dog, 2024. Begegnungen / Encounters, Austrian Cultural Forum London. Photo: Jack Elliot Edwards

Deconstitution (Work series), 2023. Not Either Or, But And, VCT STATEMENT at das weisse haus. Photo: kunst-dokumentation.com

Just to let you know with Robert Schwarz, 2023. Klosterruine Berlin. Photo: PNiedermayer

Common Notions, with Katharina Schilling, 2022. Exhibition view, house of spouse. Photo: Flavio Palasciano

Between Dwelling, 2022. Common Notions, with Katharina Schilling. house of spouse. Photo: Flavio Palasciano

Where Does the Misery Come From? (Playing English or "Hand-In-Hand-Out"), 2022. Befindlichkeiten, Austrian Cultural Forum Berlin. Photo: Max Eulitz

Titles Variable, 2021. Autohaus St. Marx, Neuer Kunstverein Wien. Photo: kunst-documentation.com

Real objects, sensual qualities, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

Better Biographies (Chests); Homage to Winifred Knights, The Deluge, 1920, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti

I ceased from Mental Fight, 2021. Indebtedness: Die Haftung der Geschenknehmenden, Kunstverein Kevin Space. Photo: Maximilian Anelli-Monti